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NF-Lee's Gildor and Frodo

Rivendell 4 ~ The Red Book: “This is wonderful!”, plus Pt. 2 of jan-u-wine’s “Rivendell Suite”.

Posted on 2008.10.17 at 16:17
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~*~


A significant difference, to me, between the book and film versions of the Rivendell sequence, is the way Bilbo is portrayed. He is far more frail in the films. In the book, Bilbo still feels fit enough to volunteer to take the Ring to Mt. Doom. (He does it, incidentally—as will be seen in the book texts for the Council of Elrond series—in order to spare Frodo, not to get his hands on the Ring.) Even after he has become doddery when the Fellowship returns, Bilbo is strong enough to make the journey from the Misty Mountains to the Grey Havens on horseback.

Even more striking to me than his great physical stamina, is Bilbo’s inner stamina. In the book, even though their relationship involves a lot of mutual kidding, the Elves of Rivendell obviously regard Bilbo not only with love but respect. He is dear to them, but also seen as someone of worth and character. Bilbo's essential honesty and decency have always shone, attributes that few Men and not every Elf (judging from their spotty history in Middle-earth) can match. To the Elves he is not “Mad Baggins” sitting on his riches in Bag End, nor even beloved “Uncle Bilbo”, he is their peer: a person of wit and great heart, the doer of resourceful and brave deeds, especially at the Lonely Mountain and the Battle of the Five Armies. He is a scholar, poet and humourist, yes, but also an honoured veteran, and taken seriously as such. I am sure it was an eye-opener to the hobbits, even to Frodo, to see how Bilbo was regarded by the high folk of Imladris.

The film scene, while different, has its own beauty. Bilbo’s greater frailty accentuates Frodo’s corresponding sweet, protective side. Bilbo is the one that needs caring for now, and Frodo must gird himself to be the strong one.

Part two of jan-u-wine's Rivendell Suite, written specifically for this series of entries featuring Bilbo and Frodo, continues in this post. Again, Jan-u-wine weaves her word-magic. One may stand at the Ring-bearer's shoulder as he turns the pages of the Red Book, even tip-toe inside his thoughts as he remembers waking up in this strange place, sees the map of the Shire before him, and begins to hear the call of Home.


~*~


Book scene:

In the meanwhile Frodo and Bilbo sat side by side, and Sam came quickly and placed himself near them. They talked together in soft voices, oblivious to the mirth and music in the hall about them. Bilbo had not much to say of himself. When he had left Hobbiton he had wandered off aimlessly, along the Road or in the country on either side; but somehow he had steered all the time towards Rivendell.

‘I got here without much adventure,’ he said, ‘and after a rest I went on with the dwarves to Dale: my last journey. I shan’t travel again. Old Balin had gone away. Then I came back here, and here I have been. I have done this and that. I have written some more of my book. And, of course, I make up a few songs. They sing them occasionally: just to please me, I think; for, of course, they aren’t really good enough for Rivendell. And I listen and I think. Time doesn’t seem to pass here; it just is. A remarkable place altogether.’



At this point in the book comes the scene in which Bilbo asks to see the Ring, and is transformed in Frodo’s eyes. After the shadow passes, the two catch up on Shire news. Aragorn returns, and he and Bilbo go off together to work on Bilbo’s song. Sam has fallen asleep.

Frodo, feeling a little forlorn, gives himself over to the magic of the Hall of Fire. The music of the voices and instruments transport him, turning into running water, a river of gold and silver flowing over him, drowning him, sinking him into sleep or a dream of music. The music turns into running water again, which turns into a voice. Frodo, his eyes still closed, begins to listen to the song of Eärendil, Bilbo’s new composition.

When it is over, Lindir, an Elf, asks for an encore, but Bilbo says it would be too tiring to repeat it. The hobbit and elf trade laughing barbs. Can’t Lindir tell which parts were Aragorn’s and which Bilbo’s? Lindir says he can’t tell the work of Mortals apart.

‘I won’t argue with you,’ said Bilbo. ‘I am sleepy after much music and singing. I’ll leave you to guess [which parts of the song were written by Bilbo and which by Aragorn], if you want to.’

He got up and came towards Frodo. ‘Well, that’s over,’ he said in a low voice. ‘It went better than I expected. I don’t often get asked for a second hearing. What did you think of it?’

‘I am not going to try and guess,’ said Frodo smiling.

‘You needn’t,’ said Bilbo. ‘As a matter of fact it was all mine. Except that Aragorn insisted on my putting in a green stone. He seemed to think it important. I don’t know why. Otherwise he obviously thought the whole thing rather above my head, and he said that if I had the cheek to make verses about Eärendil in the house of Elrond, it was my affair. I suppose he was right.’

‘I don’t know,’ said Frodo. ‘It seemed to me to fit somehow, though I can’t explain. I was half asleep when you began, and it seemed to follow on from something that I was dreaming about. I didn’t understand that it was really you speaking until near the end.’

‘It is difficult to keep awake here, until you get used to it,’ said Bilbo. ‘Not that hobbits would ever acquire quite the elvish appetite for music and poetry and tales. They seem to like them as much as food, or more. They will be going on for a long time yet.’


~ from Many Meetings


~*~


Film scene:


Sitting on a bench in a covered porch or gallery, Frodo looks at Bilbo’s book. He reads the title page, then begins to flip through it. Bilbo, holding onto a column for support, is standing at the porch’s edge in the sun.

Frodo: “There and back again, A Hobbit's tale, by Bilbo Baggins.” This is wonderful!

Bilbo: (Turning to Frodo) I meant to go back. Wander the paths of Mirkwood, visit Lake-town, see the Lonely Mountain again. But age, it seems, has finally caught up with me.


Frodo watches as Bilbo carefully makes his way to the bench to join him. With Bilbo at his side, Frodo returns his attention to the book. Bilbo watches Frodo's response as he looks at the map of the Shire. Then they look at the map together, which the camera shows in close-up.

Frodo: I miss the Shire. I spent all my childhood pretending I was off somewhere else, off with you on one of your adventures....











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2


Nothing of Home
there was,

nothing,
when first I woke.

Only
autumn-honey'd light,

its odd-amber clarity

pushing
shadows from me.

Between one instant
and the next,

I recollected

who
I might be

and where.

Each moment,
then,

might well have been
but

the tumbled turnings
of a dreme,

wonderful
and yet far-away.


Somehow,
they seemed not to touch me,

have aught to do with me,
nor I with them.

With no small shock,
I find Uncle's book

within
my hands.

Uncle's book,
smelling of midnight ink

and fine-wrought parchment.

Uncle's book,

the red of its binding
battered by time and adventure,

the star upon its face
........fading.

Yet
all of Home waits within,

Uncle's tale spinning out,
twining his story to mine,

swords and dwarves,
dragons and hoards,

Elves.....

and

magik
Rings....



My fingers touch the name
of each beloved place,

falling at last
upon the imagined green of the Hill,

the brass-bound door closing,

warm
behind me,

the roots of the roof-tree
burnished and familiar,

the fire orange-eyed and dying
within the study's rounded hearth.


As if I had only now come back to myself,
I feel my heart beating fast in my throat:

It is all still there:
Home,

there,

and not just
within

the seeming-silent pages
of this book.

I might never
explain

to Uncle
the yearning

that finds me, then,
(a piercing as

sharp and sudden
as ever that *other* blade was),

I cannot explain why

pain and joy
fill me at the sight

of the less-than precise
scrawl of the map,

mushroom-cap forests
lying hard by

sleeping-giant's-knees
of mountains,

wave-capped pool
meeting baste-stitchery
of the road.

*Wonderful*,
I think,

tears risen tight within my throat,
my mind awash with the simple

beauty of Home.

And the words leave my tongue
before ever I knew,

even,
that they were there:

It's wonderful.

And so it is.

wonder full.












Note:

Screencap lovers should know that the talented Blossom has capped these first Bilbo-Frodo scenes to create an animated gif and slideshow (with music and bits of dialogue), plus a gallery of selected caps. If you don’t know Blossom’s work, you are in for a treat. Her caps are all from the widescreen version, and are beautifully, expressively tweaked. Each one is a work of art. To show the difference, here is her version of one of the caps above. It’s gorgeous.

If you would like to see her slideshows and caps for this scene, go to her Frodo website, In Dreams. Go to the slideshow called “My Dear Boy”. The animated gif and the gallery of caps are accessed with links provided. You won’t be disappointed!



Previous entry:

Photobucket ~ Riv. 3 – Reunion with Bilbo, plus Pt. 1 of jan-u-wine’s ‘Rivendell Suite'.

Next entry:

Photobucket ~ Riv. 5 – The Red Book: ‘I’m not like you, Bilbo’, plus Pt. 3 of jan-u-wine’s ‘Rivendell Suite’.


Other Links:

~ All entries with jan-u-wine's poems.


~ Main table for all entries


~ Mechtild

Comments:


Shirebound
shirebound at 2008-10-18 02:24 (UTC) (Link)
To them he is not “Mad Baggins” sitting on his riches in Bag End, nor even beloved “Uncle Bilbo”. He is their peer, a person of wit and heart, the doer of resourceful and brave deeds, especially at the Lonely Mountain and the Battle of the Five Armies. He is a scholar, poet and humourist, but also an honoured veteran, and taken seriously as such. I am sure it was an eye-opener to the hobbits, even to Frodo, to see how Bilbo was regarded by the high folk of Imladris.

How wonderful. Bilbo gave up the Arkenstone, his wealth, and then the Ring, and fully deserved to live out his 'second act' in Rivendell, and his 'third act' in the West, amongst his beloved Elves.

Ohhh, that poem! I love the idea of the Red Book being full of "home" and "wonder".
Mechtild
mechtild at 2008-10-18 13:41 (UTC) (Link)
Good morning, Shirebound!

Ah, Bilbo and the Arkenstone. What he screwed up his courage to do, and the wisdom he showed in doing it (vis-a-vis Thorin and trying to end the strife between the allies), at the cost of tremendous internal struggle, was to my mind the greatest thing Bilbo did, a great deed to rival the great deeds of others, even if it wasn't an act of physical combat. P.S. I love your notion of Bilbo's "three acts", Shirebound. P.P.S. Reading your citation from my post, I realised I had left out something important in my editing, so I put it back in, the note about Bilbo's "essential honesty and decency". Just so you won't do a "what the..?" if you go back and look at it.
Lily Dragonquill
lily_the_hobbit at 2008-10-18 09:45 (UTC) (Link)
This post had me in tears. Lovely, Mechtild... really lovely!!
Mechtild
mechtild at 2008-10-18 13:41 (UTC) (Link)
It's a beautiful poem; especially set off with the movie scene and its images, it makes me weepy too.
Maeglian
maeglian at 2008-10-18 11:10 (UTC) (Link)
Lovely post, Mechtild. You continue to weave movie images, Jan's poam, excerpts from the novel and your own analysis into a compelling and emotional whole that is always rewarding to appreciate - slowly and carefully, if possible. Thank you.

The way Frodo looks in this scene, right down to how his slight elvishness is subtly hinted at by means of the background's Rivendell colours of brown and muted turquoise taking up the colours of Frodo's clothes and eyes, has always drawn a strong response from me. He looks almost otherworldly, and the sadness and memories of pain that lingers on his features... *sigh*. Of course there are so many, but I would maintain that this is one of the most exquisite Frodo sscenes of the film trilogy.
Maeglian
maeglian at 2008-10-18 11:12 (UTC) (Link)
Pardon the spelling mistakes. I guess it's still legible, or I would delete and re-write.
Mechtild
mechtild at 2008-10-18 13:44 (UTC) (Link)
The scene is a work of art, as your gorgeous icon underscores. Really: as set design, costuming, lighting, staging, camera work, fine acting, it's all gorgeous. But the "stuff" of the scene is gorgeous, too, even if it constitutes a considerable departure from the book original. And, to me, Jan's poem helps bring the depth of the book to make the film scene even richer. Beautiful work all around. Thanks for posting, Maeglian! (And your spelling is *fine*.)
pearlette
pearlette at 2008-10-18 11:32 (UTC) (Link)
The first time I saw this scene I was INTENSELY annoyed with the script-writers for making Bilbo so frail that he didn't make it back to see Dale or the Lonely Mountain again.

I sat there in the Odeon SEETHING.

Honestly. :)

Tolkien would have been proud of me. :p

However, Holm's exquisite acting, and Wood's dreamy, affectionate young Frodo, and the sheer loving sensitivity with which this surrogate father/son relationship was portrayed on screen, won me over completely.

Putty in Jackson's hands, I was. Putty. :D

Frolijah is exceptionally lovely in this scene. As is everything else: the soft, autumnal, amber light of Film Rivendell is perfection.

Jan's poem is lovely, of course.

Mechtild
mechtild at 2008-10-18 13:47 (UTC) (Link)
Howdy, Pearl! Your response was close to mine: I missed the book story in this scene, although I wasn't as incensed over the undercutting of Bilbo's worth, but for the very reason you speak of: Ian Holm's acting in this scene was so incredibly lovely, sensitive and endearing, I just couldn't complain. It brought out a beautiful (i.e. contemplative, not weak) softness in EW's Frodo, too.

Edited at 2008-10-18 01:47 pm (UTC)
pearlette
pearlette at 2008-10-18 16:47 (UTC) (Link)
I really didn't have many major WTF?! moments during that first, unforgettable, viewing of FotR, because I'd read so many spoilers that I was very well prepared for all of PJ's dastardly departures from the Holy and Sacred Canon.

:D:D:D:D:D:D

But that was one of them, because it caught me off guard. LOL. Whaddyamean, you wretched Kiwis, that Bilbo was too old and frail to go to Dale again?? Waaaaaaaah! Fume fume fume. :D

Honestly, it pierced me to the heart. Because I'd always loved the idea of Bilbo seeing Dale and the dwarves and the Lonely Mountain again. (In the book, of course, we also get Bilbo's poignant statement that Balin wasn't there anymore, having departed for Moria. Oh, my. :( )

My feelings of outrage were immediately soothed by the sheer loveliness of this scene: not just visual loveliness, but the emotional loveliness of it ... the Bilbo/Frodo relationship on screen is a lot more tender and intimate than Tolkien tends to show it in the book (although it is implied, particularly right at the end).

Film Frodo is at his most heartbreakingly beautiful in this scene. I also feel he's very much Book Frodo ... exclaiming in wonder over Bilbo's labour of love.



Mechtild
mechtild at 2008-10-19 01:10 (UTC) (Link)
My feelings of outrage were immediately soothed by the sheer loveliness of this scene: not just visual loveliness, but the emotional loveliness of it ... the Bilbo/Frodo relationship on screen is a lot more tender and intimate than Tolkien tends to show it in the book (although it is implied, particularly right at the end).

I think it's more tender because both characters are written as more vulnerable, tender (as in easily wounded) people. We never see the Bilbo that Gandalf and the Elves knew in the films, only the canny old story teller at the opening, then the very sweet, but vulnerable, old gentleman after he gives up the Ring. Frodo, well, we've been all through how his "we'll soldier on" self was removed from the films. But that doesn't mean the films left viewers with nothing. They stripped a lot of the virtue and strength from characters, but they exposed interiors that Tolkien left only implied (as you point out). We've talked about it before: one of the things readers love Frodo for is the way he carries on no matter what, almost never breaking down, weeping, losing his temper or otherwise letting the pressure he was under become visible in his behaviour. Readers know he's going through hell, but that Frodo doesn't show it only adds to his quality and character. They didn't do that in the films, convinced that no one could play a strong, coping, silently-suffering Frodo and be interesting or compelling. So they let him fall apart, lose his temper and otherwise act out quite a bit. In a way, they had Bilbo show a lot more of his weak side, too, not just depicting him as physically frail and fragile, but showing him as more frail in character: he is quite Peter Lorre-like slavering over the Ring in his very early Bag End scene, and in the scene when he asks Frodo to see the Ring again, they choose (like in the BBC version) to show Bilbo as actually becoming possessed by the Ring, rather than it being a matter of the Ring warping Frodo's perspective (as it did when Sam offered to carry the Ring in Mordor).

I don't want to get carried away talking about this, since I mean to talk about it later, when I actually get to the Bilbo-goes-ghoulish scene. But while there's a downside to making Bilbo weaker and more susceptible to evil in his character, the positive side is that it allows him to be very sympathetic in his frailty, and gives film Frodo a chance to take care of him. Film Frodo rarely gets a chance to take care of anybody! (He's always needing care himself.)

Edited at 2008-10-19 01:12 am (UTC)
pearlette
pearlette at 2008-10-19 11:09 (UTC) (Link)
We've talked about it before: one of the things readers love Frodo for is the way he carries on no matter what, almost never breaking down, weeping, losing his temper or otherwise letting the pressure he was under become visible in his behaviour. Readers know he's going through hell, but that Frodo doesn't show it only adds to his quality and character. They didn't do that in the films, convinced that no one could play a strong, coping, silently-suffering Frodo and be interesting or compelling.

I do think that was a genuine problem for the film-makers, actually, and it's all to do with how Tolkien writes Frodo, in this very stoic, internal way. You either love it or hate it, I suppose: and I've encountered some Tolkien fans who don't like Frodo at all. Tolkien himself said that "Frodo is not so interesting" (much to my chagrin, originally, when I read that, but one has to read those words in context ... Tolkien was comparing his treatment of the serious, high-minded Frodo, whose destiny was to sail with the Elves, with the more obviously emotional Sam, to whom Tolkien wanted to give a more definite character arc (or so it would seem).

I had to bite my tongue when a former colleague of mine informed me that she'd read LotR since seeing the films and her honest response to the story was that she thought Sam did an awful lot more than Frodo did. Well, she was entitled to her own interpretation and I didn't want to sound like a geeky nut, so I held my peace. :D

But I've always loved Frodo for being the sort of introspective character I find it easy to identify with. As one Tolkien critic wrote, rather wonderfully, Frodo is more akin to Ibsen than Beowulf. :)

So they let him fall apart, lose his temper and otherwise act out quite a bit.

Actually, I think that is pretty true to canon. We see the dark side in Bilbo emerge very early on in LotR, when he repeats "my precious" in that sinister way. (Boy, the chills I got when I read that for the first time! Heavens, what WAS possessing the sweet Bilbo from The Hobbit? How powerful WAS that Ring??)

As for acting out, well, that to me is what Book Bilbo does. :) He takes the piss out of his fellow hobbits at the party, with his Disappearing trick, and he continues to take the piss by bequeathing those gloriously snarky presents and notes to his relatives after his departure. Here is a degree of snark worthy of Severus Snape! Book Bilbo acts out all right, which is why I think that Holm's performance is one of the most canon-true in the entire film trilogy. :)

But while there's a downside to making Bilbo weaker and more susceptible to evil in his character, the positive side is that it allows him to be very sympathetic in his frailty, and gives film Frodo a chance to take care of him. Film Frodo rarely gets a chance to take care of anybody! (He's always needing care himself.)

I agree about Film Frodo taking care of him ... that was beautifully done.



Mechtild
mechtild at 2008-10-19 01:10 (UTC) (Link)
Oh, I meant to lift up this that you said, Pearl:

Film Frodo is at his most heartbreakingly beautiful in this scene. I also feel he's very much Book Frodo ... exclaiming in wonder over Bilbo's labour of love.

That's beautifully observed.
(Anonymous) at 2008-10-18 21:14 (UTC) (Link)
Gorgeous screencaps, Mechtild. Frodo's face still bears evidence of his recent illness, with his wan complexion and those pale lips ~ but oh, he is sublimely beautiful here. I wish we had seen more of Frodo and Bilbo together in the films, but I do love this little scene. I'm sure I recall Elijah commenting somewhere that he was in awe of Ian Holm and nervous at the prospect of working with him. For me, their few scenes together are like rare gifts to treasure ~ even those that deviate from canon. Lovely, just lovely.

Jan's poem:

'*Wonderful*,
I think,

tears risen tight within my throat...'

Me too, my dear Frodo. Me too.

~ Blossom.
Mechtild
mechtild at 2008-10-19 00:49 (UTC) (Link)
I would love to hear more from Ian Holm about his work experience on the films. The most I've read was in Ian McKellen's blog, which I quoted in the third part of the Ian McKellen series. He didn't share any stories or reflections in the DVD extras or commentaries, but I wish he had.
 Paulie
not_alone at 2008-10-18 21:39 (UTC) (Link)
Thank you so much, Mechtild and Jan-u-wine, for another beautiful & thought-provoking post:) I adore this scene from the movie - I have so many 'favourite' scenes but if I was forced to list my top five this would definitely be amongst them - to me it is perfection:) And I have seen Blossom's slideshow - it's wonderful:)
Mechtild
mechtild at 2008-10-19 00:51 (UTC) (Link)
All of Blossom's slideshows and animations are wonderful, but the ones for this scene are extremely moving, probably because the film scene itself is so good. I agree, it's a beautiful sequence. I wish there was more in Rivendell, but I am always saying "I wish there was more" something. I told Pearl at some point I wish they'd do a super long miniseries of LotR in England. Then they'd have time for everything.
Lavender Took
lavendertook at 2008-10-29 01:05 (UTC) (Link)
Thank you for distilling all of those expressions from the scene. I just saw it again on the big screen, and I'm grateful for the light and coloring you've brought to the captures giving them so much more clarity.

Jan's poem really captures Frodo's bittersweet hunger for home. She delicately lets the reader bring their own sadness for Frodo's loss of that life-giving hunger that they know the quest will exact. I love the phrase "autumn-honey'd light."
Mechtild
mechtild at 2008-10-29 02:21 (UTC) (Link)
YOU SAW IT AGAIN ON THE BIG SCREEN?????? Oh, lucky you! I'd love to see it at the movies again. I saw it on a fairly big screen last winter (at an old neighbourhood movie house in Minneapolis that plays old films), but the LotR fan crowd watching it was rather silly and sometimes incredibly noisy. I'd never been to a screening "for fans", and that will be my last. How I longed for the times I saw the films at regular theatres, with involved, attentive audiences. How was your screening?
Lavender Took
lavendertook at 2008-10-30 19:36 (UTC) (Link)
It was very good, and a well behaved audience--if any, we were the bad ones, with me passing out apples for second breakfast with Pippin and bluepilgrim(our wonderful meet up organizer) holding up a cell phone as a light when the beacons are lit. It's a just opened new dinner theater in Wheaton (since I saw you know the DC area.) It's the baby sister to the dinner theater in Arlington that has had trilogy showings the last couple of years in April. Same menu, but much better cook, so that was a happy surprise. I got to meet and babble with mews1945 and aprilkat which was a joy. I do think we fit the description of the involved attentive audience.
Mechtild
mechtild at 2008-10-30 20:13 (UTC) (Link)
I remember reading announcements for the trilogy at D.C. area dinner theatres. I was very jealous!
frodosweetstuff
frodosweetstuff at 2009-03-20 21:07 (UTC) (Link)
I just saw your replies to my comments and I must say after looking at several of your posts, I'm sooooo itching to make some Frodo icons. :)))

Thank you so much for these!!!

btw, found your analyses of how Bilbo is described in the books and how he is shown in the films very interesting! :)
Mechtild
mechtild at 2009-03-20 21:13 (UTC) (Link)
Gee, FSS, I thought you didn't read these posts, just looked at the pictures. I'm glad you found it interesting, truly. I know you have very, very little time for LJ.

Yes, you ought to be able to make a new crop of icons when you are feeling contemplative or out of sorts. That's where I get mine from, from these screencaps. I love it when people can use them for their own projects.
frodosweetstuff
frodosweetstuff at 2009-03-21 14:59 (UTC) (Link)
I'm not a huge fan of poems so I skip those but I sometimes read your essays. Of course, time is an issue but most of the time it's just that the comparision of the books and the films often brings up how Frodo was "downsized" in the films and after all these years I still find that incredibly hard to deal with. Someone recently said in a comment to a post somewhere on my flist that she thought that Sam was the true hero of the books and I almost spent a sleepless night feeling upset on Frodo's behalf. :( So I try to stay away from deeper analyses of the films because I know it affects me in a negative way - which is a shame because when I do read what you've written I always find it insightful and I'm surprised by how many things I have forgotten or never noticed in the first place.

*hugs*
Mechtild
mechtild at 2009-03-21 17:21 (UTC) (Link)
most of the time it's just that the comparision of the books and the films often brings up how Frodo was "downsized" in the films and after all these years I still find that incredibly hard to deal with.

(((((((FSS)))))) Yes, we fans do a lot of suffering when our hero is slighted.

I find that more and more, over time, I see the same thing: how much the films diminished the character of Frodo. They didn't diminish his appeal, his sweetness, his beauty (physical and spiritual) or his otherworldly "aura". These are the things so many of us have responded to so strongly.

But they did diminish those attributes and actions that demonstrate Frodo's capacity to be a hero: his intelligence as an assessor of situations and conceiver of plans, his physical ability and stamina, his sheer grit, and, perhaps most important to the character, his moral strength and insight into the characters of others.

I think doing this series over the past few years, which has led me to compare the scenes (book to film) and examine the film's decisions in more detail and depth, has made me see how much of film-Frodo's character I actually attributed to him, because I came to the films from the books. Whenever in the films Frodo behaved in a manner unbecoming to Frodo in the book, I just glossed over it. They didn't make a dent because I didn't let them, even if it was largely unconscious. If heroic or clever things book Frodo did were simply cut out of the film, my mind filled them in as if he had.

But the years since the films came out have given me the emotional distance to be able to see what some book-Frodo fans have been railing about since 2001: that the filmmakers shortchanged the character of Frodo, perhaps more than any other. And sometimes they shortchanged him quite a lot.

Still, it remains that I love the films and love Frodo in them, but I am now aware how my own book-informed mind continually emends the actual portrayal I'm watching up on the screen.

Thanks again for commenting, Frodosweetstuff. I appreciate the time you took.
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